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      <image:title>Lost in Transition</image:title>
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    <loc>http://www.anson-morris.com/lost-in-transition/2014/5/29/inflation-station-part-2</loc>
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    <lastmod>2014-05-29</lastmod>
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      <image:title>Lost in Transition - Inflation Station - Part 2</image:title>
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  <url>
    <loc>http://www.anson-morris.com/lost-in-transition/2014/5/27/inflation-station-case-studies-in-inflatable-architecture</loc>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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    <image:image>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
      <image:caption>Taping seams.</image:caption>
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    <image:image>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
      <image:caption>Members of "Ant Farm" with one of their inflatables.</image:caption>
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    <image:image>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
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    <image:image>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
      <image:caption>Inside Case Study 1</image:caption>
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    <image:image>
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      <image:title>Lost in Transition - Inflation Station - Part 1</image:title>
      <image:caption>Tools of the trade.</image:caption>
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    <loc>http://www.anson-morris.com/lost-in-transition/category/plastic</loc>
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    <loc>http://www.anson-morris.com/lost-in-transition/category/inflatables</loc>
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    <loc>http://www.anson-morris.com/lost-in-transition/category/architecture</loc>
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  <url>
    <loc>http://www.anson-morris.com/lost-in-transition/category/case+study</loc>
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  <url>
    <loc>http://www.anson-morris.com/lost-in-transition/category/ant+farm</loc>
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    <priority>0.5</priority>
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  <url>
    <loc>http://www.anson-morris.com/lost-in-transition/category/crafts</loc>
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  <url>
    <loc>http://www.anson-morris.com/work</loc>
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    <priority>1.0</priority>
    <lastmod>2016-07-26</lastmod>
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/56c5595ce707ebc71aa790f4/1455774044757/</image:loc>
      <image:title>Projects - Hatfield-Dowlin Complex</image:title>
      <image:caption>Firm 151 and ZGF Intern Architect The Hatfield-Dowlin Complex is a football performance center in Eugene, Oregon, which was built to house the University of Oregon football team’s day-to-day training activities.  It was my position to design the inhabitable space that exist in the realm between the lines of floor and ceiling plans through three dimensional modeling, elevations, and details. With direction given by the principle, I helped to develope a language of forms and materials that directly related to the design intent of the realized project. The building is an exercise in opulence, aimed at becoming both a target for potential University of Oregon athletes and a criticism of competing    football programs and media. Designed as a symbol of the team itself, the structure is sleek, powerful and cutting edge. It vacillates between being an austere monolith, characterized by the football program that built it, and a lively club inhabited by young and energetic college athletes.  Spaces are organized by program, wrapped into boxes, and stacked according to the hierarchy of their use. Materials are heavy in appearance and solid in fortitude. Open walkways glide across open space to find a hollow in the wall or crash to the ground to create a stair.  Solid surfaces are etched or broken with super graphics or permanent art installations. Numbers of past Ducks players blaze through mirrors in the bathrooms and are burnt onto walnut case work. Ventilation perforations in locker room doors reveal ghosted players on a field while a flock of mirrored ducks gliding through the sky bridge represent the Ducks players who have flown away to play in the NFL. Coaches’ offices maintain the clean orthogonal lines of the rest of the building but are clad in warm walnut panelling and casework. Players’ spaces are furnished with voluptuous seating, brightly colored rugs and super graphics. Working on this project helped me to understand the ever complicated dynamics that exist between clients, programs and designers. My involvement in the presentation meetings through renderings and presentation boards made it my responsibility to take the clients concerns with materials or designs and create new options for them to choose from. This required flexibility in designs as well as constant interaction with suppliers to create new and interesting spaces. I also developed many of the super graphics from concept to detail drawings and prototyping. This was especially important for my professional development as I had the opportunity to work with Lead Designers from Nike and professional craftsmen in order to flush out successful designs and construction details.  It was my position to design the inhabitable space that exist in the realm between the lines of floor and ceiling plans through three dimensional modeling, elevations, and details. With direction given by the principle, I developed a language of forms and materials that directly related to the design intent of the realized project.   Image property of Firm151  </image:caption>
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    <image:image>
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      <image:title>Projects</image:title>
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/54eade69e4b0bd87fa7f81d6/1424678276810/Night+rendering+1_b.jpg</image:loc>
      <image:title>Projects - Marketplace from park block</image:title>
      <image:caption>A field in the city. A park for the people. Set amongst the civic structures of downtown and comprised of the main market building and a public square, the Eugene Market is a multi-purpose space for the people. The public square guides visitors through an amphitheater, past simple bio swales, which are set into the hardscape, and into the indoor market streets. Within the market building, an array of permanent market booths and tables provide space for local products to be displayed and sold under the cover of a soaring trussed structure. A two story restaurant with stunning southern views from an expansive covered deck allows the space to be activated throughout the day while large conference rooms provide space for lectures, meetings, or public and private events. The Eugene Market is set to be a gathering place for the community and an icon for the city.</image:caption>
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/54eae1b0e4b056f5cc433f4f/1424679111935/Exterior+1_b.jpg</image:loc>
      <image:title>Projects - LCMH EMERGENCY DEPARTMENT ENTRY</image:title>
      <image:caption />
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/5338a839e4b0a1f2af93473f/1396221856354/main+entry+image+4.jpg</image:loc>
      <image:title>Projects - Kaosiung Maritime Cultural &amp; Popular Music Center</image:title>
      <image:caption>Over 1 million square feet of program are separated into categories which are represented by ribbons that flow throughout the site. The ribbons are then twisted and knotted to create the inhabitable spaces for entertainment, commercial spaces, outdoor activities, and cultural displays. I was responsible for design development and all of the images and models displayed here.</image:caption>
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/5338aa7ee4b01b10be9786da/1396218572749/Pillar+House+Meadow+3.png</image:loc>
      <image:title>Projects - Pillar House</image:title>
      <image:caption>The pillar house design is based on a series of prefabricated units that are attached to cylindrical concrete pillars. The pillars are constructed on site and act as both structural cores and vertical circulation spaces. All of the prefabricated units can be oriented to the most desirable views given by the sites context. The skin can be changed to suit specific site, climate, and client needs.</image:caption>
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    <image:image>
      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/5338a99ae4b0627715536e33/1396222036790/Anson+Morris+experiencial+2+v2.jpg</image:loc>
      <image:title>Projects - Portland Seed Bank</image:title>
      <image:caption>Located near Portland’s old town district and across from Water Front Park which runs along the west bank of the Willamette River, the sites proposed function as a seed bank and distribution center has a centered position within the metro area.  The form was found through a series of 2D and 3D responses to a specific image of a flower provided by the professor. The modelled form was then translated into inhabitable spaces by incorporating program, size requirements, and context into the next series of models in the progression.  The final design is buried almost entirely underground in order to assist in providing the proper climate for seed storage. This also allows the building to avoid being an obtrusive visual element in the old town district, and to embody the metaphorical progression of a seed.  A concrete ribbon outlines the programmatic spaces of the design, creating a valley in the center of the building and providing structure for the programmatic elements. Program is inserted through the ribbon, often remaining protruded partially into the crevasse. Circulation is created in the form of walkways across the crevasse which weave in a manner that forms a series of views from each level.</image:caption>
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/5338aa3fe4b05968caf5cf48/1396222439369/burnside+view+day+v2.jpg</image:loc>
      <image:title>Projects - Portland School of Industrial Design</image:title>
      <image:caption>Located in Portland’s Central East side Industrial District, the site is in an area caught between the industrial nature of its past and the current commercial gentrification of its businesses. Although the area is not residentially zoned, there is a substantial amount of illegal loft housing filled mostly with industrial artists.  In response to the current conditions of the area’s inhabitants, the school categorizes its program into three primary groups: the Cathedral, the Field, and the Home. Each group has its own vertical circulation core but is connected by a horizontal corridor that also acts as public display space. Skin function and design is dictated by the needs of the individual space and varies from operable screens in the Home block to pixelated wall openings in the Cathedral block.  The two ground plane levels, the actual ground level and the Burnside bridge which is bolstered to twenty-two feet above, provide the public visitors and students separate entries to the building. The buildings base includes the reception desk and public display spaces as well as acting as the distribution hub to the categorized spaces of the building. The access to the Home includes boxes that are extruded from the hallways and act as public and study spaces. Large individual studio style rooms include basic amenities and open up to the outside through pixelated transparent panels and operable translucent screens.  Internally oriented classrooms are attached to the fields space which allows the external world to be a voyeur in the design and construction process.</image:caption>
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      <image:title>Projects</image:title>
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      <image:loc>https://static1.squarespace.com/static/533855a9e4b0b85cb5464d45/t/553de55ce4b06f8ca0d013b3/1430119772909/RA4+Perspective+East.jpg</image:loc>
      <image:title>Projects - Advanced Technology Building</image:title>
      <image:caption>Evergreen EDC Architectural Designer The Advanced Technology Building is a multi-use building consisting of over one million square feet of offices, cafeteria, gym, production and support space. Our team worked to create a new flagship building in terms of systems and design for use in future construction as our  client expands its facilities.  I was involved in all aspects of the programming phase of this project from design development to final documentation. My responsibilities included 3D modeling, rendering, energy modeling and construction documentation.  The first two floors of the building consist of manufacturing and support spaces which act as a plinth. This lifts the office spaces 45 feet into the air and allows for sweeping views and bountiful natural light which pours in through the massive glass curtain walls. Natural day lighting penetrates deep into the middle of the office masses through two enormous atriums that fall from the roof to the third floor. An enclosed pedestrian bridge glides over a protected natural wetland, linking the parking garage and third floor of the lobby. Viewing platforms looking north and south offer a place of rest and contemplation. I was involved in all aspects of the programming phase of this project from design development to final documentation. My responsibilities included 3D modelling, rendering, energy modelling and construction documentation.</image:caption>
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    <image:image>
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      <image:title>Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Projects</image:title>
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  </url>
  <url>
    <loc>http://www.anson-morris.com/about</loc>
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    <lastmod>2015-02-23</lastmod>
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    <loc>http://www.anson-morris.com/contact</loc>
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    <lastmod>2015-02-23</lastmod>
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